キルビル Vol.1 4K+ブルーレイ+デジタル [Blu-ray] [Import]

ひさびさにキルビルがAmazonPRIMEで観れるようになってすごいうれしかったです。すぐに観ました。 公開当時は、千葉真一がちょっとおかしい感じがしたのと、キャストがしゃべる日本語がへんだったのと、 居酒屋のバンドをぶさく感じたり、ボスが中国系だったので日本が舞台の話は全員日本人でやればよかったのにと思い、 すごい評価していたわけではないけど、今見ても古臭くないし、結構面白い。 ハリウッドで、もうこういう作品は作られないと思いますが、観たことない人は観た方が良い作品です。

そうとう昔 初めて見たときは、なんだこれ。という感想しかなかった。 なにがしたい映画なのかさっぱり・・ ずいぶん歳を経て鑑賞した感想としては、タランティーノ氏がちゃんばらとアニメを融合させたかったんだなというところ。アメコミとの融合をはかったブルース・ウイリス主演のSIN CITYもあるし、おもしろい方向性の映画だなぁと思いました。時代の先を行きすぎてたんでしょう、この映画 ちゃんばらとアニメといった視点でこの作品を鑑賞してみると、千葉真一氏やバトルロワイヤルの栗山千明さんなど、監督が、人選した流れも見えてきます。特に千葉氏については、キアヌ・リーブスを始めとして、多くの映画人に影響を与えてきたわけで、その偉大さにも気づかされます。 商業的な理由から、〇国のプロパガンダを垂れ流す映画が多くなっていた昨今の映画と違って、「監督が好きなものを、好きなように作った」という作品なわけで、こういう映画っていいよな・・と思わせてくれます。

ぶっ飛んでいる。気持ちよくキレています。 終始流れる謎の効果音や電子音が強烈にセンス良いです。 今見ても衝撃です、古さを全く感じません。 次々に格好良いキャラが出てきます＾＾

久しぶりに観た

レスペクトの大事さあらためてかんじたyo!

時代を感じる映像ですが、セットと返り血がチープすぎて、、、

良い商品 有り難う御座います。 お願い致します。

頭を撃たれて、なぜ生きていられるのか不明。 なぜ襲われたのか、理由が不明なため復讐ストーリー、復讐感がピンと来ない。 全体がコミック調。途中に挿入した漫画は、実写化の予算が不足したからだろうか。 日本刀の斬り合いではあるが、カンフー映画とヤクザ映画を混ぜたような感じ。 日本語でセリフを言わせる。その違和感は、日本人が英語のセリフを言った時に英語ネイティブが感じる違和感と同じような感じなのだろう。 梶芽衣子の歌が好きで入れたと思われるが、益々わからなくなった。

Usato ma assolutamente perfetto. Arrivato molto prima del tempo previsto. Film da avere nella collezione Tarantino

Muy buena película.

Kill Bill buenísima una obra maestra de Tarantino

Kill Bill: Vol. 1 (Action, Crime) Directed by Quentin Tarantino Starring Uma Thurman, Lucy Liu and Daryl Hannah Disney / Buena Vista | 2003 | 111 min | Rated R | Released Sep 09, 2008 Video: Video codec: MPEG-4 AVC Video resolution: 1080p Aspect ratio: 2.40:1 Audio: English: LPCM 5.1 (48kHz, 16-bit) English: Dolby Digital 5.1 French: Dolby Digital 5.1 Subtitles: English SDH, Spanish, Japanese, Cantonese, Korean Disc: Single 50GB Blu-ray Disc The Film 5/5 I'm a big fan of Chungking Express and remember reading that Quentin Tarantino cries when he watches it because he loves it so much. That's how I feel when I watch the two Kill Bill movies. Within three minutes, I hear Bang Bang (My Baby Shot Me Down) and I'm transported into another world. It reminds me of what I'm in for. Every choice that Tarantino makes, from story, to dialogue and music, is absolutely perfect. I feel like he made this film with me in mind. Uma Thurman was born to play the role of The Bride. I'm still not sure how she managed to keep a straight face as she spoke the dialogue. It took me five years to bother seeing Kill Bill because I don't embrace things with senseless violence. The movie suggests extreme violence, but shows hardly any of it, just the result. The cuts are convincing and have the same effect as if you had seen the violent acts. I expected Thurman to prance around with a samurai sword, hacking people to pieces. In fact, she pretty much does, but there's so much more to the story. First of all, she makes me care. Her back story makes her actions seem justified, but I also feel pity for O-Ren Ishii (Liu) when we see what happened to her when she was a child (brilliantly portrayed anime style). The film uses a number of tricks such as stills, black and white, slow motion, silhouettes, changing aspect ratios, and extreme close-ups. The pacing, humor, drama and action all seem to be woven together perfectly. Kill Bill is a simple story of revenge. We learn in the opening scene that The Bride was shot in the head at her wedding rehearsal and spent four years in a coma as a result. The story isn't linear, so the first person we see her kill is actually second on her Death List. Although it reveals that she successfully killed O-Ren Ishii by showing a line through her name, none of the tension is lost when we are shown their epic battle. We see The Bride recover from her coma and visit Japan in search of O-Ren Ishii. There's a great scene involving Sonny Chiba and we eventually see The Bride hunt down O-Ren Ishii and her minions. The showdown is approximately an hour long and it's intense. Thurman looks like she can handle a sword and stunt double Zoe Bell handles the more difficult scenes. It's hard to think about the film without using the word perfect. The battle involves dozens of fighters as The Bride hacks her way through the obstacles standing between her and O-Ren Ishii. The contrast between those scenes and the final fight is stunning. Instead of being surrounded by a noisy mob, The Bride and O-Ren fight in a quiet setting. It's a very effective transition. I always watch Kill Bill Vol. 2 after seeing Vol. 1 and think of it as one long film. If you think that the characters feel incomplete, the concluding volume fleshes them out and makes them seem a lot more real. This first installment contains most of the action and fans of that genre should be happy with the result. Video Quality 5/5 Kill Bill Vol. 1 looks fantastic on Blu-ray, even though it was released in 2008. Detail is strong throughout, whether the image is in color or black and white. Colors are rich and accurate and black levels won't disappoint. I detected slight aliasing in one scene, but the overall presentation makes the film one of the best-looking live action films yet released on Blu-ray. Audio Quality 5/5 The lossless English: LPCM 5.1 mix matches the excellent video quality. There's a lot going on and it's all separated well and presented accurately. Whether it's the sound of swords clashing during the intense battle scenes, dialogue, feet crunching on cereal, or Daryl Hannah whistling the theme from Twisted Nerve, you'll hear everything clearly. Special Features 2/5 The extras are all presented in standard definition: The Making of Kill Bill (22 minutes) - A decent feature with Tarantino and some of the cast and crew. The 5, 6, 7, 8s Musical Performances (6 minutes) - Two songs from the band featured in the film. Trailers - Six trailers for Tarantino's films. As I said at the start of this review, Kill Bill is so good that I'm close to tears within three minutes. It's full of action and thrills, good music, and some of the funniest dialogue I have ever heard. I find myself watching both parts more than anything else in my collection and love every moment each time I give it a spin. It's guaranteed to make me grin for four hours. If you like action and intelligent humor, I challenge you to name a better movie. Overall score 5/5

I missed "Kill Bill, Volume 1" when it was in the theaters (you have to move quickly up here in the Northland because we have only two movie theaters with a limited number of screens and films can disappear before you know it), but this turned out to be to my advantage. Quentin Tarantino did not plan on "Kill Bill" being told in two "volumes" but Miramax decided that a four hour revenge film would be a bit much and consequently we end up with "Volume 1" coming out on DVD the same week "Volume 2" opens up in the theaters. So having seen the Bride (Uma Thurman) take care of the first two names on her "to do" list I can treat tonight as an intermission and go see "Volume 2" tomorrow. This is good because if I had to wait four months to see the second half of the film I would be pretty ticked off. Once upon a time in El Paso, Texas a wedding party is slaughtered execution style. However, it turns out that the Bride, who is pregnant, is not dead but in a coma. Four years later she wakes up in time to save herself from insult being added to her ingury. After dealing with a few annoying details, such as somebody trying to rape her comatose body and being unable to get her legs to move, the Bride puts together her list of people to kill: (1) Vernita Green (Vivica A. Fox), (2) O-Ren Ishii (Lucy Liu), (3) Budd (Michael Madsen), (4) Elle Driver (Daryl Hannah), and (5) Bill (David Carradine). There is more that happens in this film than eliminating the first two list (and since there is a Volume 2 telling you that the Bride survives Volume 1 does not constitute a spoiler), such as an anime telling us how O-Ren Ishii became the Queen of the Tokyo underworld. But Tarrantino is all about how the Bride takes out her first two victims and the triumph of style as substance, especially when style means fountains of blood gushing from human beings that would make Akira Kurosawa proud. You have to keep in mind that Tarantino has seen and committed to memory more movies than any other human being on the face of the planet. The following is a list of movies and television series that are supposedly referenced in "Kill Bill, Volume 1": "The Lodger," "Scaramouche," "The Wings of Eagles," "The Magnificent Seven," "Yojimbo," "Tsubaki Sanjûrô," "The Manchurian Candidate," "Marnie," "Honey West," "Tôkyô nagaremono," "I Lunghi giorni della vendetta," "Da zui xia," "Modesty Blaise," "The Green Hornet," "I Giorni dell'ira," "Le Scandale," "Ironside," "Kyuketsuki Gokemidoro," "Kurotokage," "Da uomo a uom," "La Mariée était en noir," "Twisted Nerve," "C'era una volta il West," "The Wild Bunch," "Siu kuen wong," "A Clockwork Orange," "Hannie Caulder," "Black Mama, White Mama," "The Last House on the Left," "La Novia ensangrentada," "Il Grande duello," "Joshuu sasori: Dai-41 zakkyo-bô, "Shurayukihime," "The Doll Squad," "Tian xia di yi quan," "High Plains Drifter," "White Lightning," "Shura-yuki-hime: Urami Renga," "Truck Turner," "Uomini duri," "Crash che botte!," "Onna hissatsu ken," "Gone in 60 Seconds," "Thriller - en grym film," "Du bi quan wang da po xue di zi," "Profondo rosso," "Switchblade Sisters," "Black Sunday," "Eaten Alive," "7 note in nero," "Hao xia," "Yagyû ichizoku no inbô," "Game of Death ," "Grease," "Wu du," "Patrick," "Day of the Woman," "Hattori Hanzô: Kage no Gundan." "Paura nella città dei morti viventi," "Resurrection," "Shogun Assassin," "Si wang ta," "Makai tenshô," "Escape from New York," "Xian si jue," "Star Trek: The Wrath of Khan," "Tenebre," "The Professional: Golgo 13," "Scarface," "Gai shi ji hua," "Year of the Dragon," "Wong ga jin si," "Hard to Kill," "3-4x jugatsu," "Miller's Crossing," "Hong fen zhi zun," "Unforgiven," "Reservoir Dogs," "Fong Shi Yu II: Wan fu mo di," "Tai ji zhang san feng," "True Romance," "Pulp Fiction." "Jûbei ninpûchô," "From Dusk Till Dawn," "Full Tilt Boogie," "Kite," "Weißkreuz," "SF:Episode One," "From Dusk Till Dawn 2: Texas Blood Money," "Proboscis," "Wo hu cang long," "Batoru rowaiaru," and "Koroshiya 1." I was happy I recognized over two dozen of the films on that list, and that is not even close to a passing score percentage-wise. For all I know every single scene and shot in the film is lifted from something else, but the onslaught of references is apparently so relentless that everything old becomes new again, especially without a commentary track when QT can tell us the origin of each and every homage. At this point what is most memorable to me is watching O-Ren Ishii and her posse walk glide into the House of Blue Leaves with the soundtrack giving them energy and the final showdown in an exquisite garden at night with gently falling snow where O-Ren in her white kimono and the Bride in her yellow biker suit do their dance of death with Japanese steel. With "Pulp Fiction" Tarantino made his impression upon our ears with scene after scene of great dialogue. No wonder the soundtrack for that film had clips of some of what came rolling off the tongues of the actors (usually Samuel L. Jackson, who plays a corpse in this film). But with "Kill Bill, Volume 1" Tarantino's blood feast is mostly for the eyes. Imagine what he can do if he every puts those two together in a single film. Until then, we can see how the Bride deals with the rest of the people on her list. This film is not for everybody, but then what Quentin Tarantino film ever was?