The Souls of Black Folk
D**R
History (Both Past & Future) Revealed in this Book
I recently pulled this book up from my TBR pile and was merely going to browse through it until I reached a hotspot where I could download something else. Instead, I ended up reading the book cover to cover.In its time (being published in 1903) this book was meant to be persuasive, a tool to help people understand and mollify or change their thought processes. I continued reading the book for an entirely different reason, based upon my love and fascination of history. In today’s world, this is definitely a revealing slice of history. It not only reveals another side to the United States during the 35 years after the Civil War, but also allows an understanding of the evolving issues in the 20th and 21st centuries.History is always best when related by someone who lived during that era, and W.E.B. DuBois certainly qualifies. His words seek to enlighten rather than incite, and reading the book will provide the path leading to the incendiary speech of today. While I had some knowledge of the time period, this was my first introduction to the world of the former slaves, and reading the timeline of events from 1865 to 1900 enabled me to draw my own lines form 1900 to the current year.There are those who may incorrectly determine that this is nothing more than a treatise, one over a century old that should be allowed to gather dust or molder away. In an era where some think nothing of erasing our country’s history, this is one more example why we need to embrace our history, no matter whether it is positive or negative. Without looking back and correcting our errors, how can we ever expect to move forward? Five stars.
J**I
How does it feel to be a “problem”?
Regrettably, for me, this has been a long overlooked classic. I’ve read my share of the works of black American authors, such as James Baldwin, Richard Wright, Ralph Ellison and most recently, Ta-Nehisi Coats. Not having read Du Bois seems to have been the functional equivalent of not having read Homer.William Edward Burghardt “W.E.B.” Du Bois lived a full productive life which spanned the long era of “Jim Crow.” He was born in 1868, and died at the age of 95, one year before the passage of the Civil Rights Act of 1964, in Accra, Ghana, as a citizen of that country. He was the first African-American to earn a Ph.D. from Harvard. His writings reflect a thorough grounding in the Greek and Roman classics, with references that were – at times, frankly beyond me. His prose is temperate, the “outrage” is left to the reader to conclude when the circumstances are described in measured terms, which often fully acknowledges the faults and predicaments of his own race. As the introduction says: “Du Bois achieves in his text a rare combination of pathos and dignity, presenting a portrait of black culture that commands respect.” For many years he would teach at the Atlanta University complex, and writes fondly of the 100 hills of Atlanta, the trees, and the red clay soil of Georgia. His wry introspection is demonstrated in the opening paragraph, where he asks the subject question.The vast majority of these 14 separate but intertwined essays concern racial relations in the United States after the Emancipation and the year of publication, 1903. One in particular was not, which was reflective of his own experience, when his first-born son died in infancy. In the third essay he presents his arguments with Booker T. Washington, concerning the education of the Negro in “trade schools,” stressing the need for the classical education which Du Bois had, saying that they had “put up high schools and called them colleges.” “Mr. Washington represents in Negro thought the old attitude of adjustment and submission.” Washington asked them to give up three things – “Political power, Insistence on Civil Rights, and Higher Education of Negro Youth.” Du Bois was the one who insisted that all three were “musts.” Separately, Du Bois says: “for the South believed that an educated Negro to be a dangerous Negro.” From my own experience, Du Bois is only looking at a sub-set, since I would add that, in general, anyone who is both educated – and questioning in a substantive way – of either race, South or North, is considered both “dangerous” and “a trouble maker.”The Bureau of Refugees, Freedmen and Abandoned Lands, immediately established in the aftermath of the Civil War, and led by Major General Oliver O. Howard, from Maine, who Du Bois describes as: “an honest man, with too much faith in human nature, little aptitude for business and intricate detail” was another topic I was totally unfamiliar with. Du Bois describes the initiative of mainly white female teachers from New England as “the 9th Crusade” for their efforts in establishing schools in the South, for both blacks and whites, after the Civil War. When the Freedman Bureau died, Du Bois describes its child as the Fifteen Amendment to the Constitution.In other essays, he describes his experience as a student at Fisk University in Nashville, and his subsequent experience teaching in very rudimentary log cabins for black students, and how he was housed in the homes of the student’s parents. In another temperate essay, he enrages the reader with the story of my “namesake,” John Jones, a black who had serious problems, both North and South. In NYC, he purchased an expensive ticket to see an opera, was seated, enjoying the performance when an usher, every so apologetically explained that the seat had been previously sold, and he would have to move (he was seated next to a white woman, and her husband had complained). Of course we will refund your money the usher explains. Jones decides to return to his native South, where the people seem more honest in their bigotry. There is a telling scene where Jones went to see “the Judge” who claimed he had “done so much for your people,” but Jones makes the mistake of going to the front door, and is rebuked for bringing those “uppity” Northern ideas back home.By far the essay that was the most informative, and resonated the strongest was the one on Dougherty County, Georgia, at the west end of the “Black belt” in that state. In the 1880’s-90’s the population was approximately 10,000 blacks and 2,000 whites. Du Bois describes in detail the economics of growing cotton in that county, with its impact on the humans, and the mechanisms that were used to keep everyone in debt, and therefore under control (today, many a college graduate would understand well). Consider just one fact: Cotton was 14 cents a pound in 1860 and 4 cents a pound in 1898. In the early ‘70’s I would travel to Dougherty County on business on a monthly basis, and was utterly oblivious to these central historical facts. ‘Tis more than a bit embarrassing. And then there is the matter of those formative experiences with two of the progeny from Dougherty County, each living on a different side of what Du Bois would call “the Veil.” Further heightened embarrassment that I did not know. Better late than…6-stars for Du Bois seminal perceptions.
E**Y
Tremendously powerful and eloquent
DuBois skill and poetry shine through all the account of how the slaved have been freed legally, but not in fact. Throughout the veil and the color line serve to hold back and sometimes cruelly crush the longings of the black people. DuBois is very balanced in his writing, acknowledging the failings of his own people as well as those of the white. He lets the reader peer into the striving tragic lives of many black folk, the story of his child's death and the story of John being done of the most heart rending.It is interesting to see the strong aspirations of the freed slaves, and the network of classical schools originally envisioned. It is a very different picture than given in the media, which focuses on the violent and depravity of black culture. If I didn't know any better, it seems intentional that DuBois vision of what black culture could be is obscured in this day and age where the highest aspirations are to be sports or music celebrities. While DuBois does not have a high opinion of the church, considering it a pacifying device, the destruction of the black church in the 60s has led to the collapse of black culture which at one point had a lower divorce rate than white culture. As I can see in Douglass writing, modern black culture has accepted many of the snares the old slave master set, and now white culture is following suite. Yet the soul of America is sung in the tune of the slave songs as all coming to America are seeking freedom. We cannot allow ourselves to become enslaved by ourselves.
D**S
Love it
That it finally got here
M**.
Livre qui mérite d’être plus connu
Le livre est arrivé en bon état, et assez rapidement. Donc je suis satisfaite !Ce livre, pierre angulaire de la littérature afro-américaine, est très bien pour s’instruire sur les intellectuels dont on ne nous parle jamais ou alors bien trop peu ! Très intéressant, très bien écrit. Je recommande !
F**A
Loved this
It was so difficult for me to find this in Italy, so I turned to Amazon. It was the best choice and I was happy to finally read this masterpiece.
A**R
Timeless yet revealing of the plight faced by 19th and 20th century Africans in the western world
Timeless as this amazing piece highlights the consistent themes of difficulty faced by Africans living in the western nations. Brilliantly written with extensive metaphors, statistics and correlations to explain the battle for identity and progress faced by Africans living in a European nation
D**E
Deep opinion and analysis
This book, though short, is strong opinion and deep analysis. I won't blame Du Bois for the perspective he had and presented, although I feel it was a bit overstretched at times and there were some anecdotal instances which probably could not have been extrapolated to the society at large. Du Bois has presented a viewpoint which was true for a lot of parts of the society and the popular view during those times. From that perspective, this book is quite critical of the situations and circumstances.
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