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D**T
The Moonstone
A yellow diamond with a curse on it; a young girl trying to choose between two suitors; one of the first detectives in fiction and more twists and turns in the plot than you can shake a stick at not to speak of a huge cast of characters and multiple narrators and you have a fascinating story of theft and murder.I was surprised how modern this book still is even though it was published over a hundred years ago. I was especially struck by the conversations between Rachel Verrinder and Franklin Blake – her on/off fiancé. I thought the author caught the different voices of his narrators very well indeed and I was never in any doubt who was narrating the story. This is well worth reading even today and it puts some modern crime novelists in the shade.
C**S
A gem of early detective fiction
This is a book I have been meaning to read for too many years, and am so glad that I have finally got around to doing so. First published in 1868 and laying claim to be the first true detective novel, it is among the most intricately woven mysteries ever written. Originally published in instalments instalments in Charles Dickens' magazine, "All the Year Round," it demands a good deal of patience, and as much dogged determination from the reader as from the detectives, professional and amateur, who contribute to its resolution.What it has in common with its worthier descendants is its emphasis on character, which is assisted by the use of a number of narrative voices. The fates of all participants are of interest, even where only indirectly connected to the main story.The book is available to read online for free, or as a free Kindle book.
D**R
The voices by the various narrators are just perfect for the parts they play
This is a review of the Naxos audiobook starring Clive Swift. It is a superb reading (although, sadly, greatly abridged) of the seminal detective novel, The Moonstone. The voices by the various narrators are just perfect for the parts they play. Wonderful. This CD or audible download captures the spirit of the novel completely. I love it! And of course the story itself is full of mystery, intrigue, fascination and laugh-out-loud humour.There are a number of full-length audio narrations of the entire novel out there (very good ones), but I have found this shortened version to be the best in terms of the ideal actors and actresses (all British) to portray the various parts. I think Clive Swift, in particular, is amazingly convincing as the old servant, Betteridge - you really believe he IS that character. The performance is perfection itself. A must-have, delightful audio version of The Moonstone, in my view. I return to it again and again - as, I suspect, you will. (A great television adaptation of the story, by the way, is the one produced in England in the 1990s and starring Greg Wise. That is the TV equivalent of this superlative audio-book - almost beyond criticism).
M**S
Almost 150 years old, but still a page-turner! Rightfully a classic
Recommended to me by a friend as essential reading after I'd enjoyed "The Suspicions of Mr Whicher" by Kate Summerscale, as one of the blueprints for the detective fiction genre. I found "The Moonstone" to be a real page-turner - a cast of very engaging characters, not all of whom are particularly likeable (step forward the wonderfully awful Miss Clack); a clever plot with cliffhangers a-plenty; and a satisfactory dénouement.I particularly enjoyed the style of using several different narrators throughout the book to add different viewpoints of the same event, thereby gradually revealing the story and adding twists where previous narrators have omitted key information to suit their own ends. This technique can have the tendency to be clumsy and repetitive, but it was very effective in this novel.There's also quite a refreshing portrayal of the female characters in this story for the period in which is was written (1860s) - whilst there are some stereotypical Victorian gender roles presented in the views of some of the male characters and the aforementioned Miss Clack, these are often presented in a satirical way so that the reader is invited to laugh at these strict views. The female protagonists on the other hand are mostly presented by the author as strong, assertive characters in their own right, their actions having a pivotal role in the story.A thoroughly enjoyable read.
B**D
Nicht der "erste und beste" Krimi aller Zeiten, aber doch sehr gut!
Wilkie Collins (1824-1889): The Moonstone. Edited with an Introduction and Notes by John Sutherland. Oxford und New York.: Oxford University Press [The World's Classics], 1999. LVIII, 502 Seiten, Paperback. (Neuauflage: 2008).Wie John Sutherland in seiner Einleitung deutlich macht, handelt es sich hier - entgegen dem berühmten Ausspruch von T. S. Eliot - wohl NICHT um "den ersten und besten Detektiv-Roman [Krimi] aller Zeiten". Wer sich die Mühe macht, Sutherlands Einleitung und Anmerkungen aufmerksam zu lesen, wird feststellen, dass Wilkie Collins, Protégé und Mitarbeiter von Charles Dickens, verschiedene gedankliche Stränge in seinen Roman eingebaut hat, die mit dem heutigen Genre "Krimi" nicht all zu viel gemein haben: In gewisser Weise hat er protestiert, und zwar gegen Dickens' für das viktorianische Zeitalter typische "Kulturimperialismus"; außerdem hat er damals gängige Wissenschaftstheorien verwendet und in seinem Roman dem Opium breiten Raum gewährt; und zuletzt hat sein "plot", also die "Fabel", wie Lessing es ausgedrückt hätte, einige markante Schwächen, die man auch als begeisterter Leser nicht übersehen dürfte. Dennoch handelt es sich hier um einen Klassiker, der sich, das versteht sich von selbst, ungemein gut lesen lässt, vielleicht weil Collins bewusst die Spannung steigert und immer wieder überraschende Elemente einbaut, die den Leser zumindest vorübergehend vom eigentlich vorhersehbaren Verlauf seiner Geschichte ablenken. Collins steht im Ruf, im Gegensatz zu beispielsweise Anthony Trollope, Romane des "sensationalistischen" Genres zu verfassen; um den Unterschied zu verstehen, habe ich diesen Roman bestellt und gelesen - und ich finde, die Bezeichnung "sensationalistisch" gerechtfertigt, auch wenn - aus heutiger Sicht - manches etwas "flach" erscheint.Wilkie Collins verwendet, um seine Geschichte zu erzählen, eine Methode, deren er sich bereits vorher bedient hatte: Er lässt an der Geschichte Beteiligte im Auftrag des Hauptbeteiligten ihre persönlichen Erinnerungen aufschreiben. Etwa die erste Hälfte des Buches befasst sich von daher mit den Erinnerungen von Gabriel Betteredge (Sutherland weist auf die Bedeutung seiner Initialen hin: GB!), dem leitenden Diener im Landsitz von Lady Verinder bei Frizinghall in Yorkshire, an die Umstände des Diebstahls. Dass Betteredge gern abschweift und es recht schwer findet, zum eigentlichen Thema zu kommen, das passt Collins ziemlich in den Kram, denn er hat seinen Roman in wöchentlichen Folgen veröffentlicht, und es wäre für ihn ein Verlust gewesen, zu schnell damit zu Ende zu kommen (er erhielt natürlich regelmäßige Beträge vom Verlag). Betteredges Geschichte führt nach einer gewissen Zeit den bekanntesten Detektiv Londons in die Geschichte ein: Sergeant Cuff, einen gewieften Ermittler, der die Bemühungen des örtlichen Superintendenten bald als sehr ungeschickt entlarvt. Auch er vermag jedoch die vertrackte Geschichte nicht zu entwirren, und in der zweiten Hälfte des Buches dürfen wir durch "Aufzeichnungen" verschiedener Charaktere des Rätsels Lösung näher kommen. Collins wurde beim Schreiben sowohl vom unerwarteten Tod seiner Mutter als auch von seiner eigenen Opium-Sucht ereilt, und verschiedene Umstände in seiner Geschichte scheinen, seine damaligen Lebensumstände zu spiegeln. Dass er jedoch im Opium-Rausch die Figur der Miss Clack erfunden hat, das glaube ich ihm nicht: Seine überzogene, recht hämische Darstellung einer "evangelikalen Betschwester" ist - zumindest aus meiner Sicht - äußerst unfair und keineswegs lustig. Auch der eigentliche Dieb sollte ursprünglich ein Pfarrer gewesen sein, und Collins hat sich, vermutlich durch Einfluss von außen, erst sehr spät entschieden, ihn in einen Laien zu verwandeln.John Sutherlands Vorwort sollte man, wie bei diesen Oxford-Ausgaben üblich, als Nachwort erst lesen, wenn man den Roman bereits kennt. Sutherland hat gute Arbeit geleistet, und man wird ihm moderne Anwandlungen - beispielsweise, dass er Collins' Beschreibung des Küstenabschnitts, wo der entscheidende Hinweis versteckt ist, mit der Beschreibung eines "weiblichen Orgasmus" vergleicht - verzeihen. Die Anmerkungen enthalten Hinweise auf Textstellen, die Collins im letzten Augenblick geändert bzw. korrigiert hat, und ermöglichen so einen Blick in Collins' schriftstellerische Werkstatt. Meine Ausgabe von 2008 wurde von Clays Ltd, St. Ives, gedruckt und ist überraschenderweise sehr stabil; ich habe nach instensiver Lektüre keine Loseblatt-Sammlung in der Hand, sondern das Buch ist heil geblieben. Das sieht man gerne!
P**H
If you love your classics
WARNING: PROCEED DIRECTLY TO THE STORY AND DO NOT READ THE PREFACE OR ABOUT THE AUTHOR etc. IN THE EDITION I BOUGHT A PARAGRAPH ON THE 'ABOUT THE AUTHOR' PAGE SPILLED THE 'HOW' OF THE CRIME!I would rate it as 3.5/5Respect it for starting the genre of crime fiction. It is unique in style with its epistolary narration. Although its length (majorly owing to a lack of an edgy editing practice in the mid-nineteenth century fiction) made the read a laborious task. If you love your classics, then the writing style will complement your suspense ride.
P**L
Loving Gift or Family Curse!
The Moonstone is a name given to a large yellow diamond stolen from a religious shrine in India during a battle between the British and the Indians in 1799 by John Herncastle as witnessed by his cousin John Verinder. The diamond carried a curse which brought trouble to whom ever possessed it.In brief "The Moonstone" is a suspenseful story of the gifting of the diamond to a young lady on her 18th birthday in 1848, its disappearance the same night and the subsequent search for it until 1850.The way the mystery is told is most interesting. Eleven different characters relating their role as well as to what they could personally attest to the robbery. This provides various views on what occurred and how the actions of others were interpreted.In these narratives the reader learns of the history of the diamond and it's three Indian protectors, the gifting, the loss and the search for the diamond from a long-time servant in the country home of the wealthy family, the poor Christian spinster cousin who thrives on doing good work and spreading the faith. Two male cousins one a gambler and the other somewhat of a dilettante, both wishing to marry the same cousin. The wealthy side of the family, the family solicitor, the village doctor and his assistant, a police sargent who specializes in family thefts and roses, and a well traveled man with certainty some Indian heritage. It provides an interesting cross-section of life in Victorian England.It is one of the earliest mystery novels written, and was serialized, likely in a newspaper, when first published. For those of us use to the pace of today's mysteries we may find it a little slow in places but it did not lose my attention. Collins is to be commended for keeping all the strands of the story straight.Reviewed September 18, 2018 for LibraryThing
G**M
A perfect mystery novel
If there could be a worthy runner-up to the world famous Sherlock Holmes detective novels, written by Arthur Conan Doyle, it would be the Moonstone written by Wilkie Collins. This book provides a fantastic read, soul-gripping mysteries and deaths. Characters so familiar that if you were to see them in plain sight, you would put everything down to just stare at them, wide eyed and gaping. The Moonstone, the article itself, though invokes within us the singular sanguine feeling, can never be compared to any other gem in the fictional-allure category. Hats off to Wilkie Collins for providing a most addictive read, perfect for a thunderstorm night!
K**I
Best book in suspense
One of the best suspense novels ever penned. A must read in life time. It takes you back to 18th century with such ease that you feel you have actually travelled back in time.The characterization is beautifully written that you feel they are living among you and you are well aquinted with them.
L**I
Solito capolavoro della black cat
L'editore non si smentisce, libro ottimo per una didattica pre-avanzata con sufficienti riflessioni e spunti per imparare, presenta esercizi riassuntivi davvero utili per imparare al meglio ed inoltre è molto scorrevole. A completare il tutto c'è un cd che presenta l'audio dell'intero libro ed anche alcuni esercizi dedicati all'ascolto.
S**1
Der Monddiamant in Originalsprache
"The Moonstone" bzw. "Der Monddiamant" ist ein 1868 erschienener früher Kriminalroman von Wilkie Collins in dem es um das rätselhafte Verschwinden eines großen, im Jahre 1799 aus Indien geraubten Diamanten geht der für eine regional Hindu-Gruppe sehr hohen symbolischen Wert besitzt.Die Haupthandlung spielt freilich ausschließlich im viktorianischen England der Jahre 1848/49. Nach der Geburtstagsfeier der jungen Lady Rachel Verinder auf dem Landgut ihrer Mutter verschwindet der eben noch übergebene Monddiamant aus dem Vermächtnis des Diamantenräubers, der nebenbei Rachels Onkel und enfant terrible der Familie war, über Nacht aus dem Zimmer der jungen Dame und löst somit einen kniffligen Kriminalfall aus der fortan die Handlung des Romans bestimmt. Dabei tritt unter anderem einer der ersten Kriminaldetektive der Literatur, Sergeant Cuff, auf den Plan, der später Arthur Conan Doyle als Vorbild für seinen Sherlock Holmes diente, in Wilkies Monddiamant jedoch leider nicht die Hauptrolle spielen darf. Das Buch weist nach einem langsamen aber guten Anfang insbesondere im Mittelteil einige Längen auf, bis hin zu einem völlig überflüssigen Opiumexperiment als eine Art unnötiger Lückenfüller, dafür ist die eher unspektakuläre eigentliche Auflösung aber dann auch umso kürzer gehalten. Insgesamt erreicht "Der Monddiamant", was vor allem Realismus und Logik der Handlung aber eben auch die Spannung angeht, bei weitem nicht das Niveau der neun Jahre früher vom selben Autor erschienenen "Frau in Weiß" und bekommt daher von mir auch nur mittelprächtige 3 Sterne.Die englische Ausgabe von Penguin Books ist natürlich dem Preis entsprechend äußerst spartanisch gehalten, das Druckbild geht ok weist jedoch immer wieder ein paar Satzfehler auf.
C**D
WARNING
Impossible to read!!! It’s as though it’s been translated from a foreign language into English by someone who doesn’t speak English!! I have tried to obtain a refund but doesn’t appear to have worked. Avoid this edition! Couldn’t post this comment without giving one star but absolutely doesn’t merit one
V**A
If you love victorian english
I wouldn't delve into plot or characters but the traits of this book which makes it a must read.If you want to delve into a mystery novel which grips you to your chair till the end, this is the book.If you love victorian english, this is the book.I stumbled upon this book while browsing through books on amazon and wanting to read something different. I haven't read mystery novel for long and picking up this book looked promising. I can say I made the right decision. Apart from one or two areas I never felt bored by this lengthy read. Story telling through narrative was a treat to relish as it fancied my "something different". Considering, it is said that it is the first mystery novel to come out, it is a must read for any book lover. I can assure you wouldn't regret your purchase.
D**V
Very bad print
Very bad print just look at these images. The print from the back of the page is appearing on the front of the page and reducing readability. I didnt have time to read the book and it went out of the return period. Not expected from amazon.
D**N
Bettlektuere
Irgendwo zwischen Winnetou und Sherlock Holmes angesiedelt ist dieses Buch sehr angenehm und unterhaltsam zu lesen. Mir ist der Erzählstil sehr entgegengekommen, da die etwas langwierige Abhandlung dadurch spannend und interessant bleibt. Bewundernswert ist die Fähigkeit des Autors von Person zu Person seinen Stil, oder zumindest seine Charakteristik, zu verändern. Den ersten Erzähler muss man einfach liebgewinnen, eine der sympathischsten Figuren, die je erschrieben wurden. Danach leidet man ein wenig unter den folgenden Berichten. Das englische Original ist leicht zu lesen, ich würde also von einer Uebersetzung absehen – ein englischer Charakter lässt sich nicht ins Deutsche übertragen, da muss man viel verlieren.
C**N
The Moonstone
I really enjoyed ''The Moonstone'' by Wilkie Collins. His writing-style is so pleasant and clear, you just want to know how the story continues. Like ''The Woman in White,'' this novel was very intriguing and clever. I can't decide which of the two is better. In my opinion, both are excellent reads!
A**R
Brilliant!!
Enjoyed every page of this book. Brilliantly written. Lucid and keeps you on your toes. The plot is nicely paced. Amazed that during the period when it was written things like visiting cards and Banks were in popular use and references are found frequently in the book. Wilkie Collins is a master story teller. Initially started reading with a paperback but switched to Kindle but there was never a dull moment.
G**I
A mystery thriller of the best sort
A book well planned and intelligently crafted. No pages or passages were inferior or drab to prompt me into skipping them. The limited characters, carefully sketched, themselves stands testimony to the prowess of the writer. The gripping multiperspective narrative was equally witty and beautiful.
P**A
I have enjoyed the narration of hilarious house-steward Gabriel Betteredge and his ...
This sizzling and sensational classic whodunit has mystery, mayhem, murder and detection. Till the last page the suspense of the Moonstone remains a mystery. I have enjoyed the narration of hilarious house-steward Gabriel Betteredge and his admiration for Robinson Crusoe.
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