---
product_id: 48352055
title: "Honeymoon"
price: "€ 25.47"
currency: EUR
in_stock: true
reviews_count: 11
url: https://www.desertcart.nl/products/48352055-honeymoon
store_origin: NL
region: Netherlands
---

# Honeymoon

**Price:** € 25.47
**Availability:** ✅ In Stock

## Quick Answers

- **What is this?** Honeymoon
- **How much does it cost?** € 25.47 with free shipping
- **Is it available?** Yes, in stock and ready to ship
- **Where can I buy it?** [www.desertcart.nl](https://www.desertcart.nl/products/48352055-honeymoon)

## Best For

- Customers looking for quality international products

## Why This Product

- Free international shipping included
- Worldwide delivery with tracking
- 15-day hassle-free returns

## Description

Fourth studio album by the American pop singer. Debuting at #2 in the UK Albums Chart, the album features the singles 'High By the Beach' and 'Music to Watch Boys To'.

Review: What a Hypnotic Honeymoon... - Now that I’ve had this album for a day and, you know, the honeymoon period has ended (get it…?), I think it’s safe to say I’ve formed a full and fair opinion on it… in a word, stunning. That word has been thrown around a lot in the other reviews here for the album and I think that’s because from the opening strings of the title track, you can simply hear the class in the luscious production. Working on every track with Rick Nowels, Honeymoon is a sweeping aural landscape. Listen for the beautifully sultry flute in ‘Music to Watch Boys to’ and the brilliantly Italian sounding ‘Salvatore’ to really understand how perfect the sound of this album really is. I was a fan of Lana upon first hearing ‘Video Games’. I was utterly amazed by her voice and its unique ability to suddenly shift my emotions. When I received Born to Die, I must have played it hundreds of times, constantly changing my favourite song (currently ‘Million Dollar Man’) and always finding it amazing. However, if I had a criticism, it would be the unfailing and undying attention paid to making the tracks cohesive – in other words, a lot of the songs sounded very similar. She then released Paradise led by ‘Ride’, which I still consider one of her best tracks to date. In this EP, Lana included 8 tracks which developed her cinematic quality even more. I’d argue that, as a whole, this collection is the most forgettable. There are some amazing songs - ‘Gods and Monsters’, ‘American’, ‘Bel Air’ - but when I hear “My pussy tastes like Pepsi Cola” just before the slightly plodding ‘Body Electric’, my energy for that “sound” has depleted. In the lead up to Honeymoon, a lot of critics noted how Lana may have pushed her sound too far with Ultraviolence, but I wholeheartedly disagree. This was an album that knew exactly what it wanted to be and did it perfectly. In my head, I picture the gorgeous black and white image that adorns the deluxe edition I have sat on my shelf and believe that every song evokes exactly what that image is. ‘West Coast’s irresistible hook, the unbelievable Greg Kurstin-produced ‘Money, Power, Glory’ and the repetitively hypnotic ‘Cruel World’ all resonate in my mind and that’s the word I return to with Honeymoon – hypnotic. This collection combines the ‘hip-hop’ tones of Born to Die with the cinematic beauty of Paradise and the magnificently hypnotic Ultraviolence to create the perfect marriage of sounds. Every song has a place and a purpose and each surprises me lyrically and sonically. Del Rey’s voice has never sounded better. Having been modified by reverb quite frequently in her previous efforts, it is nice to hear the main attraction at the forefront. The title track was a grower for me and now can be considered one of my favourites then leading to my instant favourite, as mentioned previously, ‘Music to Watch Boys to’. From this we have the perfect ‘Terrence Loves You’ (Who’s Terrence?) and then the most Ultraviolence-sounding, ‘God Knows I Tried’, again brilliant. ‘High by the Beach’ I’d say is the Born to Die-era West Coast and I have no problem with that. Follow that with ‘Freak’ (quite Born To Die-ish, perfect), ‘Art Deco’ (perfectly following Freak) and then an equally strong second half; I can safely say this album is going to be difficult to divorce. Honeymoon - 5/5 Music to Watch Boys To - 5/5 Terrence Loves You - 5/5 God Knows I Tried - 5/5 High by the Beach - 4.5/5 (played too many times) Freak - 5/5 Art Deco - 5/5 Burnt Notion (Interlude) - N/A Religion - 4.5/5 (still great production, but a little forgettable when compared to the others, in my opinion) Salvatore - 5/5 (My Favourite) The Blackest Day - 5/5 (Ultraviolence/Born To Die marriage again) 24 - 5/5 (Spectre is the 24th Bond film and quite clearly this song should've been attached to it) Swan Song - 5/5 Don't Let Me Be Misunderstood [cover] - 5/5
Review: Great album - Great album

## Technical Specifications

| Specification | Value |
|---------------|-------|
| ASIN  | B0147IF63Q |
| Best Sellers Rank | 3,170 in CDs & Vinyl ( See Top 100 in CDs & Vinyl ) 603 in Alternative & Indie 1,443 in Pop |
| Country of origin  | Czech Republic |
| Customer reviews | 4.6 4.6 out of 5 stars (4,171) |
| Is discontinued by manufacturer  | No |
| Label  | Polydor |
| Manufacturer  | Polydor |
| Manufacturer reference  | 4748830 |
| Number of discs  | 1 |
| Original Release Date  | 2015 |
| Product Dimensions  | 12.5 x 14.3 x 0.71 cm; 98.09 g |

## Images

![Honeymoon - Image 1](https://m.media-amazon.com/images/I/71H-rYqJYZL.jpg)
![Honeymoon - Image 2](https://m.media-amazon.com/images/I/71ZvezJ2OoL.jpg)

## Customer Reviews

### ⭐⭐⭐⭐⭐ What a Hypnotic Honeymoon...
*by A***A on 19 September 2015*

Now that I’ve had this album for a day and, you know, the honeymoon period has ended (get it…?), I think it’s safe to say I’ve formed a full and fair opinion on it… in a word, stunning. That word has been thrown around a lot in the other reviews here for the album and I think that’s because from the opening strings of the title track, you can simply hear the class in the luscious production. Working on every track with Rick Nowels, Honeymoon is a sweeping aural landscape. Listen for the beautifully sultry flute in ‘Music to Watch Boys to’ and the brilliantly Italian sounding ‘Salvatore’ to really understand how perfect the sound of this album really is. I was a fan of Lana upon first hearing ‘Video Games’. I was utterly amazed by her voice and its unique ability to suddenly shift my emotions. When I received Born to Die, I must have played it hundreds of times, constantly changing my favourite song (currently ‘Million Dollar Man’) and always finding it amazing. However, if I had a criticism, it would be the unfailing and undying attention paid to making the tracks cohesive – in other words, a lot of the songs sounded very similar. She then released Paradise led by ‘Ride’, which I still consider one of her best tracks to date. In this EP, Lana included 8 tracks which developed her cinematic quality even more. I’d argue that, as a whole, this collection is the most forgettable. There are some amazing songs - ‘Gods and Monsters’, ‘American’, ‘Bel Air’ - but when I hear “My pussy tastes like Pepsi Cola” just before the slightly plodding ‘Body Electric’, my energy for that “sound” has depleted. In the lead up to Honeymoon, a lot of critics noted how Lana may have pushed her sound too far with Ultraviolence, but I wholeheartedly disagree. This was an album that knew exactly what it wanted to be and did it perfectly. In my head, I picture the gorgeous black and white image that adorns the deluxe edition I have sat on my shelf and believe that every song evokes exactly what that image is. ‘West Coast’s irresistible hook, the unbelievable Greg Kurstin-produced ‘Money, Power, Glory’ and the repetitively hypnotic ‘Cruel World’ all resonate in my mind and that’s the word I return to with Honeymoon – hypnotic. This collection combines the ‘hip-hop’ tones of Born to Die with the cinematic beauty of Paradise and the magnificently hypnotic Ultraviolence to create the perfect marriage of sounds. Every song has a place and a purpose and each surprises me lyrically and sonically. Del Rey’s voice has never sounded better. Having been modified by reverb quite frequently in her previous efforts, it is nice to hear the main attraction at the forefront. The title track was a grower for me and now can be considered one of my favourites then leading to my instant favourite, as mentioned previously, ‘Music to Watch Boys to’. From this we have the perfect ‘Terrence Loves You’ (Who’s Terrence?) and then the most Ultraviolence-sounding, ‘God Knows I Tried’, again brilliant. ‘High by the Beach’ I’d say is the Born to Die-era West Coast and I have no problem with that. Follow that with ‘Freak’ (quite Born To Die-ish, perfect), ‘Art Deco’ (perfectly following Freak) and then an equally strong second half; I can safely say this album is going to be difficult to divorce. Honeymoon - 5/5 Music to Watch Boys To - 5/5 Terrence Loves You - 5/5 God Knows I Tried - 5/5 High by the Beach - 4.5/5 (played too many times) Freak - 5/5 Art Deco - 5/5 Burnt Notion (Interlude) - N/A Religion - 4.5/5 (still great production, but a little forgettable when compared to the others, in my opinion) Salvatore - 5/5 (My Favourite) The Blackest Day - 5/5 (Ultraviolence/Born To Die marriage again) 24 - 5/5 (Spectre is the 24th Bond film and quite clearly this song should've been attached to it) Swan Song - 5/5 Don't Let Me Be Misunderstood [cover] - 5/5

### ⭐⭐⭐⭐⭐ Great album
*by M***. on 27 July 2025*

Great album

### ⭐⭐⭐⭐⭐ Love It
*by H***L on 18 September 2015*

In my honest and totally biased opinion this is one hell of an album, well actually it's more like heaven it's so laid back and sultry. but this being Lana Del Rey it's also very dark and cinematic, the music flows much more smoothly than either BTD or UV and It is far less explicit in content, a move which I think could widen her audience but the most important thing is that she has remained true to her own vision. this isn't just music it is art and I think time will show Lana Del Rey to be one of the greatest artists of her time. that said there are a couple of songs that haven't fully worked there magic on me just yet but as I know of old that is only a matter of time. If I was to be uber critical there are some sound effects that I found unnecessary and Lana certainly doesn't need them. I give it five stars because above and beyond anything else I love Lana's voice, God Knows I Tried alone is for me worth the price but the album as a whole is every bit as hypnotic as any of her earlier work this is a truly beautiful album for fans and music lovers.

## Frequently Bought Together

- Ld - Honeymoon
- Ultraviolence
- Lust For Life

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*Product available on Desertcart Netherlands*
*Store origin: NL*
*Last updated: 2026-01-28*