The Last September opens with a title card portentously announcing that what we are about to see is "the end of a world." Not, it turns out, too great an overstatement. In 1920 Ireland, a wealthy group of Anglo-Irish, the English-descended "tribe" who historically had overseen the country on behalf of its colonial rulers, seat ensconced in their luxurious estate. Just down the road, throughout small towns and villages, the British army is arrogantly terrorizing storeowners, and isolated IRA factions are responding by killing the occasional soldier. But at Sir Richard Naylor's palatial residence no such troubles need interfere. There the daily routine is still built around tennis matches, picnic parties, nature walks, and evenings spent on the lawn watching the stars. Young Lois (Keeley Hawes), niece of Sir Richard (Michael Gambon) and his wife (Maggie Smith), has lived there her entire life and has recently caught the fancy of a sweetly earnest military captain. But when a childhood friend of hers--in hiding after his murder of an army sergeant--takes refuge in a nearby abandoned mill, the thrill of danger and daring, of finally something different after all those maddeningly pleasant years, leads her down a different path. While The Last September is sometimes overly pretty in the British fashion, it benefits enormously from its excellent cast and novelist John Banville's smart, efficient script, which is alert to the nuances of conversations in which the most horrible threats are made and fears confided just below the polite chatter. --Bruce Reid
Trustpilot
2 months ago
3 days ago
