Strange Fruit

I took a chance and ordered this DVD, since this page has no description of the product or its quality. I enjoyed it very much, and it's a welcome addition to my library.This video contains 13 video clips from television appearances in the latter part of Lady Day's life. The video and audio quality vary; most of the clips are very good; several have been available on other compilations.The primary reason for obtaining this package is the excellent quality of the first two clips - Billie appears with Count Basie and His Orchestra in a 1950 short, singing God Bless the Child and Now Baby Or Never. This clip was available earlier in very poor quality on another compilation, but the audio and video quality of this short in this package is stunning, and it may very well be the best video performance of Billie Holiday preserved on film. I am quite pleased, and the price of this DVD is worth it for this short alone.The other 11 clips included are:My ManPlease Don't Talk About Me When I'm GoneBillie's Blues with the Corky Hale Trio (Los Angelis, 1956 - very good quality)Easy To RememberWhat A Little Moonlight Can DoFoolin' Myself (a great song that Lady rarely performed) with Georgie Auld and Mal Waldron (Newark, NJ, 1958 - poor quality)I Only Have Eyes For YouTravelin' Light with Mal Waldron (Paris, 1958 good quality)Strange FruitI Loves You Porgy with Mal Waldron, (London, 1959 - good quality)Plus the celebrated performance of Fine and Mellow from the Voice of Jazz CBS special (1957) with Roy Eldridge, Doc Cheatam, Vic Dickensen, Lester Young, Ben Webster, Coleman Hawkins, Gerry Mulligan, Mal Waldron, Danny Barker, Milt Hinton and Osie Johnson, presented in its entirety (1957). If you have never seen it or don't have it, it's another of Lady Day's rare video performances that is not to be missed.All in all, definitely a find for fans at this price.

I see by Amazon's note that I purchased this in 2009. Why have I rarely played it though it runs only 38 minutes: because I grew up listening to those wonderful 1930's recordings with Teddy Wilson, some with others, when the voice was young, strong and beautiful. Later, in the 1940's, I saw her with her voice matured but still intact, still capable of making the most of anything she chose to sing. These are all from the 1950's when her voice was in progressive decline until, by the time of her death at the end of the decade, it was a shadow of itself (as, apparently, was she). I find it hard to take. Nevertheless, these are important documents of one who, though one of the tragic jazz stories, of which there are quite a few, still was able to make a song into a story not only by audible words but also by intonations and articulations. The first of the set are done with Basie, with whom she worked briefly, on her way up. She is in pretty good voice in these. The last are done for CBS, with a fine group of players. Little is left of the voice but the lyrics are rich in meaning. One can hear and see her decline in what appears between these two sets.Technically, the film runs from not bad to just about viewable..but all show something worth seeing and hearing. The price listed by Amazon as of this date, January of 2015, is out of the question for the average person. What a well-off collector might be willing to pay, I can't imagine. Needless to say, I purchased it for a great deal less (a moment break while I look up the order on Amazon), in fact, for just under $10- including a $3- shipping charge. (I guess I won't give it to charity right now as I intended!)

Billie Holiday's singing had nothing like the velvet beauty of Sarah Vaughan's or the rhythmic agility of Ella Fitzgerald's, and yet she was (IMHO) the greatest jazz/blues singer ever. Her phrasing and her emotional intensity lifted her small voice to the creative level of Charlie Parker, Coleman Hawkins, and Lester Young, her closest musical peer. The final track on this DVD - "Fine and Mellow", a nine-minute session recorded in 1957 - is one of the richest examples both of Holiday's expressive art and of jazz improvisation on film. The session band included sax-players Young, Hawkins, Ben Webster and Gerry Mulligan; trumpeters Roy Eldridge and Doc Cheatham; trombone Viv Dickenson, pianist Mal Waldon; bassist Milt Hinton; and drummer Osie Johnson. So many over-sized players, and still such tight, mellow, generous ensemble! I love those guys! I'd take my share of racial and chemical abuse to be part of such a session.The two 1950 tracks of Billie with Count Basie are also special; the film is grainy and fuzzy, but the sound quality is better than most and has been well-reengineered on this DVD. The other tracks, mostly with the Mal Waldron Orchestra, are of dismal quality both in picture and sound, but hey! it doesn't matter. There's so little of Billie Holiday on film - such shabby little fragments really, of such a sublime and unique performer - that one can only kneel in gratitude to have anything.And then there's the 'title' song, Strange Fruit. Is everybody prepared to have heartbreak? The social/historical context of American racism and apartheid is never far below the surface of the Blues, but the words of the poem Strange Fruit, sung by tragic Billie Holiday, transcend music and entertainment, and need to etched in our souls forever.

Als Warm-Up im Unterricht gut zu benützen für nachherige Speaking Activity gut geeignet. Die Qualität ist gut. Etwas teuer ist der Preis.