How to Build a Sustainable Music Career and Collect All Revenue Streams

I just launched my band's debut single to streaming services and read the 1st edition multiple times before doing so. Absolutely essential reading for anyone who is distributing their music digitally. If you're here and curious - JUST PURCHASE THE BOOK - and you will see for yourself. Thank you, Emily White.

Emily White's book provides a straightforward and thoughtful guide to accomplish exactly what is promised, "How to Build A Sustainable Music Career, and Collect All Revenue Streams. The world has changed, information is cheap and moves at the speed of light. Digital tools have concurrently made it easier to distribute content, engage fans globally - unbounded by national boundaries, and create and manage monetization opportunities from a laptop.She demonstrates a first hand knowledge of life on the road, the perils and rewards of managing artists careers - all from the perspective of ' art and artist first' as a professional/advisor dedicated to ethical business practices.

The chapters are well laid out to give us a concrete understanding of how we can start the process of making income from our creative endeavors.Thank you!Altruit

Critical information that can dramatically impact the finances of a career musician. This is a must-read.

There's no one way to do this job, and Emily offers many methods for success. Loved the book, and I recommend it to many.

This book is incredible. Anyone looking to make a career in music.

Mandatory reading for all musicians.

The book lacks transparency on current business matters. It displays a few ideas but omits the solid punch to attract enthusiasts and music advents !

The content didn’t disappoint.I’m impressed.It’s engagingly written. Very clear and readable.Logical and well-structured without an overflow of technical legalistic (or other) verbiage in the relevant sections.I can imagine it being helpful to beginners (and a handy aide-memoire to those with more experience) to understand the process of structuring a release from the time of thinking about recording to and including post-release actions.Whilst I think the author is US-based and writing from a US jurisdiction perspective much/most of the content applies wherever you are in the connected world.There are a couple of sections where (as UK-based) I’d question the suggestions given, but this may arise from a distinction between the US and UK perspectives.What I like most is that the author gives practical and executable suggestions for each of the steps required in the release process (and beyond) and doesn’t just talk concept. An all too rare commodity from writers or panellists at seminars and conferences.Big 👌 from me.