Neewer Professional Microphone Pop Filter Shield Compatible with Blue Yeti and Any Other Microphone, Dual Layered Wind Pop Screen With A Flexible 360 Degree Gooseneck Clip Stabilizing Arm

Excellent. Really reduces Plosives and breath sounds for a spoken word studio podcast. With the screen 4'' from the mic, and my mouth 8'' from the screen, this screen has reduced my editing time by removing so many annoying voice-glitch sounds. The highest value for the money in the podcast studio gear adventure so far.

I bought the Neewer Professional Microphone Pop Filter Shield for my Blue Yeti mic to prevent audio pops, and it works perfectly. It's easy to attach and adjust, and it does a great job of filtering out those annoying pops and harsh sounds during recordings. The build quality is solid, and it stays in place without slipping. If you're looking for a reliable and affordable pop filter to improve your audio quality, this one is a great choice!

I want to control as much as I can going into the microphone rather than trying to fix it in the mix. To be honest, I didn't hear a huge difference with the pop filter, but I saw it on my playback. When the pop filter was on vs. off, I could see what looks like a slightly compressed waveform on the high end, a more consistent signal going into the microphone without any processing. I've stood in front of Marshall Double stack amps for 25 years so my hearing is probably somewhat diminished anyway. For the money, that extra bit of consistency is a no-brainer. The design is clean and seems well crafted. I'd only warn that when setting it up on a mic boom (I had no issues with connection like some others), if you feel the attachment screw has some tension and is not moving smoothly or is hard to turn, it's because it's rubbing up against the gooseneck connection to the boom connection clamp. You could conceivably strip the threads of the screw if you try to muscle through it. Just give the gooseneck --where it connects to the clamp -- a couple of turns backing it out of the clamp, attach the clamp to your boom, an then retighten the gooseneck into the connection clamp to avoid potentially stripping the screw.

If you are looking for a budget-priced pop filter that is not total junk, this is a contender. It is identical to the Dragonpad pop filter Studio Microphone Mic Wind Screen Pop Filter , which I also own. If you are torn between the two, go for the one with the lowest price. I'm not going to lie and say that this is an amazing pop filter. It isn't. However, in the price range it is definitely good enough for home use and even light gigging, which is why I rated it so highly. If you have the budget and want a professional quality filter, look at the Auphonix 6-Inch Microphone Pop Filter. Double Mesh Screen . Otherwise, this one will meet your basic needs. The filter mesh is somewhat flimsy. It does the job and in a home studio is more than sturdy. For gigging it can easily tear if subjected to a lot of handling. The gooseneck itself is very flexible and will hold the filter in place, but will also move if jostled or bumped. Again, for a studio this is perfect. For live performances it will work, but I would invest in a sturdier pop filter like the Auphonix I mentioned above. Another reason why I rated this so highly is this will fit poles on stands up to 15/16 inch, and possibly a full inch if you fiddle with it. The clamp has a soft, felt-like material that will protect mic stands and booms. The actually contact point on the clamp has a cross shape groove with positive contact and that component is made from a hard plastic that also will not mar your stands. The gooseneck is 14.5 inches and the entire assembly is 22 inches with a 5.5 inch inside diameter pop mesh. The outside diameter of the filter is about six inches.

Clamped it onto my SM58 clone and used it hand-held to record some vocals. It works, no plosives and I sang (screamed) straight into the mic from 2 inches or so.

The spring is not durable / strong enough to hold the filter in one particular position. It leans down and it doesn't stay in one place for a longer period of time. The filter itself works well with a mic.

A great pop filter, pretty durable and very flexible. Very easy to move in and out of the way when needed. Fits on my microphone arm great.

Got this for my husband. He says the sound quality is great and was easy to put together and connect to everything.

this looks original and perfectly designed indeed but I have to return it back since I do not have the microphone for it to be used.

Pop filter muito bom, com excelente cabalmente e custo benefício pra quem está começando.

They are nice

¿QUÉ ES UN FILTRO ANTIPOP? Un filtro antipop es una herramienta utilizada dentro de la cadena de procesamiento de audio. Su diseño más clásico es un aro circular o rectangular dependiendo de cada fabricante, que está recubierto de una membrana y se coloca delante del micrófono. La principal función de esta membrana es dejar pasar el sonido reduciendo el aire que produce la dicción en las palabras que contienen las letras s, b y p, evitando los silbidos o seseo de la “s” y la explosión de aire o popeo de la “b” y la p” captados por nuestro micrófono. UNBOXING Neewer nos presenta su filtro antipop en una caja en la que nos muestra perfectamente todo el producto y la forma de colocarlo sobre el pie de un micrófono. Sus dimensiones son de 36,6 x 18,3 x 3 cm para un peso muy moderado de 272 gramos. No necesita ningún tipo de batería y su instalación es muy sencilla. Basta con sujetarlo al pie de micrófono o a la base del mismo mediante la abrazadera ajustable incluida y colocarlo por cualquiera de sus dos caras delante de su membrana mediante el cuello de ganso orientable de 360º, para reducir así el aire que expulsa la boca hacia el micro EXPERIENCIA DE USO Mi experiencia de uso con el filtro antipop de la marca Neewer de doble capa de nylon ha sido muy positiva. Lo utilizo junto con el micrófono Blue Yeti, notándose la mejoría en la claridad del mensaje, eliminando todo popeo y seseo, además de ser una barrera higiénica para nuestro micrófono. Creo que se trata de una herramienta imprescindible en cualquier estudio de grabación.

Bought in a hurry to replaced a reasonable quality pop shield which had broken. Turns out to be much better than the one it replaced: longer neck, much stiffer and less prone to droop.