The Shop Around The Corner

This review is my reflection of the movie, "The Shop Around the Corner" (1940).Screwball comedy is a subgenre of comedy that became popular during the Great Depression era. It combines slapstick with fast-pace farce humor inside the dialogue of a sophisticated film. Contrary to preceding generation of films, screwball comedy often portrayed battle of the sexes where independent-minded females challenged masculinity. Accordingly, The Shop Around the Corner establishes the female character, Klara Novak, into a co-protagonist role through a man vs. woman conflict as she confronts the male character, Alfred Kralik (20:57). During this dispute, the female character was portrayed as an intelligent person who logically criticizes the male character’s deficient memory in recollecting the dress she wore and confidently boasting her competency as a salesperson. The scene also depicted the female character as a person who’s not intimidated by the male character, because she had successfully resisted the male character’s dominance by telling him that what she wears is none of his business – all while matching an equal vocal tone and rate of speech as the male character.By the half-time, it became apparent that both male and female actors performed synonymously to dramatize the battle of the sexes. Take for instance, during the numerous man vs. woman conflict scenes that were captured throughout the first half of the film (20:57, 28:07, 53:00), the two co-protagonists starts off a conversation as they do with any other characters. But, as the discussion continues over time, the actors speak at a faster rate, and their voice grows louder. The actors also modify their body postures and facial expressions; the stars frown and lean their body towards the opposing character when they confront each other, whilst throwing personal insults and expressing sarcasm. Hence, by articulating intrusive physical gestures and aggressive vocal tone, both actors together had built a man vs. woman conflict situation.Although the film establishes the lead male and female as two co-protagonists, in my opinion, gender was an issue in this movie because the female character’s performances were dependent upon the male character’s signals. The female character is the one who acts out the cluelessness of the situation (50:20, 1:32:15), is the person who awaits the male (50:20, 1:08:48), becomes ill in the absence of male’s correspondence (1:10:40), and is emotionally responsive to male character’s gestures (1:12:40, 1:36:10). Thus, the over-arching impression of the movie was depicted as the male character’s adventure in winning over a woman that he wanted. And regardless of however strong of an impression that the female actor had left on the audience, the female character was ultimately an archetype object for the male character in the film.Moreover, in regards to female character’s influence on male character, although the male character fell in love with the female character, the female character does not have the characteristics of a femme fatale because she does not lead the male character into disaster nor does she purposely seduce the male character with some sort of diabolical plan. As a matter of fact, to reiterate my previous point, the female character does not have any active control in the film – she only reacts to the male character’s actions.I also found it deeply interesting when the actor contrasted her character’s image. How was it possible that such a character that is so intelligent and resilient against the face of authority, be so weak and oblivious in front of love? The actor accomplished in making of this distinction by controlling her physical gestures and vocal tones like volume and pitch. When the actor was performing a strong character, the actor frowned and exerted a loud voice with an exclamation; actor acted out sarcasm by displaying a facial expression and speech utterance that contradicted the sentential response (20:57). In contrary, when the actor was acting out the submissiveness, she not only softened her speech but her entire body also became slowly stagnant (1:36:10). Overall, I think that the female actor had done a fantastic job.The male character’s super objective in the film is to reveal his anonymous identity to the female character that he had been blindly corresponding with over the mail. To achieve his super objective, one of the specific objectives that the male character had to accomplish was to approach the female character for the first time at a pre-arranged location (24:30). Unfortunately, the male character encounters a problem of having to discover that the mysterious woman who he had fallen for is actually his previous co-worker whom he had a bad relationship with. So he must overcome the obstacle of the woman’s negative perception of him. In order to overcome his obstacle, the male character attempts to approach the female character without offending her. In his attempt, the actor played the character in a different manner from how he normally approached her at workplace scenes. First, the actor approaches the female character at a distance slowly, full of hesitance. His body movement does not seem confident as perceived at workplace, which was fast paced. To illustrate the awkwardness, the actor cautiously moves his head around from side to side as if he is looking for someone, his lips are unparalleled and tucked in, and once he approaches the female character, he acts as if he had met her in coincidence. The actor’s manner of speech makes a contrasting differentiation as well. In previous scenes, the male character had always spoken in quick and bickering manner toward the female character. However, at the restaurant, the actor starts off a conversation with a slow and calming tone of voice, which is unprecedented prior to this scene.Asides from the domain of romance, the film showcased an abundant amount of comical scenes with a good mixture of both verbal and physical humor. For example, during the early scenes depicted in 8:14, 16:04, and 18:39, the employer character verbally prepares for a punch line by asking his employees, “all I want is your honest opinion” Then, every time when the employer asks for an honest opinion, Pirovitch – one of the employees – executes a punch line wit'h physical gesture by hiding away in panic. Although I cannot determine whether the comical scene produces laughter amongst the audience, I personally think that the usage of verbal cues were effective with the exaggerated physical movements performed by Pirovitch. According to the lecture, slapstick was effective in silent movies because title cards slowed down the soundless films. So, silent movies had to rely heavily on exaggerated physical gestures and the directors aimed to use as few title cards as possible. On the contrary, The Shop Around the Corner consisted of audio recordings and the linguistic communication did not hinder the continuation flow of the film. Thus, adjoining the verbal and physical gestures allowed the film producers to invest in time, to deliver a joke at the appropriate timing.5 Stars: This product delivers what the seller claims, and the product demonstrates superior quality compared to other products in the market. Furthermore, the product has a good cost-benefit value.4 Stars: This product delivers what the seller claims, and the product demonstrates superior quality compared to other products in the market.3 Stars: This product provides what the seller claims, but you may find something better in the market at a similar cost.2 Stars: This product works, but not to the effect that the seller claims.1 Star: AVOID AT ALL COST. It might bring you harm (i.e. automobile windshield repair product might create more cracks).

This is a timeless classic with perfect performances and great character actors. It is story with heart and hope. It's a romantic comedy that is also gripping as the characters negotiate life's misunderstandings and travails. I am glad it is still available on DVD so that one can watch it whenever one wants.

Great movie!!!

Glad to get this

The Shop Around the Corner is one of those perennial Christmas classics like Meet Me In St. Louis in which only one scene takes place during the Christmas Season rather than being a film about Christmas. In both films it is an important scene and both films are full of the kind of warmth and charm that is totally in the spirit of the Holiday Season. The two films share other things as well: both get a 100% rating From Rotten Tomatoes and both have been chosen for preservation in the National Film Registry by the Library of Congress. Meet Me In St. Louis is a family story while The Shop Around the Corner is mostly a romance.The film was directed by master director Ernst Lubitsch in the later part of his career. He went against many of his usual characteristics in this film. His reputation was based on making light, sophisticated films, often musicals, set in luxurious surroundings and inhabited by upper class characters. This film features ordinary people who work in a small shop, are afraid of losing their jobs and who mostly wear very ordinary clothes. There's no champagne and diamonds and no music at all except for Ochi Tchornya played by a musical cigarette case and later by a string quartet a a cafe. The screenplay was by Lubitsch's long-time collaborator Samson Raphaelson who adapted it from a play by Hungarian playwright Miklos Laszlo and became the basis of In the Good Old Summertime and You've Got Mail. Surprisingly the film still takes place in Budapest despite the fact that no one even tries to sound Hungarian. This is all for the good since I can't even begin to imagine Jimmy Stewart trying to sound Hungarian.It's a quiet film that gradually casts a spell as you get to know the characters and their lives at the small shop. With excellent direction and a good script you still need the right cast and this cast is absolutely excellent and works together beautifully. Jimmy Stewart is sincere as Alfred Kralik, the shop's oldest employee and lead sales clerk. He's gentle and soft spoken in that Stewart way but can be very tough if called upon. Margaret Sullavan is bright and hopeful as the new salesgirl who is carrying on a pen pal romance with a man she's never met. Frank Morgan (the Wizard of Oz) is for once in a non-comic role and shows he could be a good dramatic actor.Two fine European actors play major supporting roles. Joseph Schildkraut, a matinee idol in the days of silent films is practically oily as the two-faced, dandyish Mr. Vardas, another sales clerk. Felix Bressart plays sales clerk Pirovitch, Kralik's friend and a man who because of having to support his wife and children has to go along with whatever the boss says.Though neither tries to sound Hungarian their presence reminds you that the film is taking place in Europe. William Tracy is comic as Pepi, the brash delivery boy who wants more than anything to be a sales person.Smaller roles are filled by Sara Hayden (Aunt Millie in the Andy Hardy movies), who plays as usual, a spinster. Charles Smith (Dizzy in the Henry Aldrich series) is Rudy, the new delivery boy. Inez Courtney is salesgirl Ilona whose role seems to be underwritten as she fades away into the background.It's a heartwarming film by its end and you really want things to turn out well for the two potential lovers. The film isn't a frothy fantasy either, but introduces some serious topics that keep it grounded and real. It even seems topical today. Klara Sullavan) and Mr. Kralik (Stewart) don't exactly get along well in the shop. But one day she confesses that there is one thing she admires about him: "When Mr. Kralik asks you to go into the stockroom with him to get some boxes, you go in with him and get some boxes."

Good movie, although old-school. If you want to watch a good movie that has no R rated stuff - this is a good choice.

This was an interesting story to watch with my 11 and 12 year old kids. Different than most of today's plots. An old fashioned version of "You've Got Mail."

This is a wonderful transfer to Blu Ray. It's crystal clear and sharp except for the scenes that are supposed to be "soft around the edges", like the scene near the end with Mr. Matuschek talking to his employees as they leave the shop. It also has the trailer, which is worth watching in itself. It also includes 2 radio performances of the story in the extras.The only reason I gave it 4 stars is that there's no chapter menu. For as nice of a job as they did with the transfer, it seems like they could have gone the extra mile and given us chapters instead of making us use the advance button to fast forward by 10 minute intervals.

Impeccable !Ce blu ray se lit sans problème et comporte une VF , ainsi qu'une VOST

Not Jimmy Stewarts best movie. I spent the whole movie trying to find the comedy which was promised in the movie info. This was a nice but slow, pedestrian and sometimes dreary movie. One for the back shelves this one.

主演はジェームズ・スチュワート。監督は洗練された都会的なコメディの名手エルンスト・ルビッチ。舞台はブタペストのとある店。映画はこの店で働く人々のドラマだ。スチュワート演じるKralikは顔も名前も知らない女性と文通し、彼女に恋している。ある日彼の働く店に、マーガレット・サラバン演じるKlaraがやってきて、そこで働くことになる。2人は仲が悪く、衝突ばかりだが、実はお互いにこの相手こそ自分が恋しているペン・パルだとは知らないのだ！映画を見ればわかることだが、トム・ハンクスとメグ・ライアン主演の映画“ユー・ガット・メール”はこの映画が基になっている。2人がはじめてカフェで待ち合わせをするシーンなどはそっくり。ただしこちらでは、見分けるための印である「高慢と偏見」が「!アンナ・カレニナ」に「赤いバラ」が「赤いカーネーション」なっている。話もこちらの方が単純だが、いつものルビッチのタッチがきいて、こまかいところの演出がすばらしく、映画としてのレベルはこちらの方が断然上。セリフのひとつひとつ、場面のひとつひとつに無駄がなく、ウィットに富んでいる。

Excellent film longtemps souhaité en édition Blu-ray, mais délai de livraison suite à la commande un peu long et arrivé avec quelques jours de retard. Sinon, très bien.

Amusez vous à lire le commentaire que j'ai laissé pour l'achat couplé que j'avais fait avec "Indiscreet". A bon entendeur...